Steve Hayes reports that 13 Hours
gets Benghazi right.
Whatever its impact (on the presidential election), 13 Hours is a powerful film that is well worth seeing. From beginning to end, it forcefully rejects the sanitized, no-fault version of Benghazi. In scene after powerful scene, it assigns blame: to policymakers in Washington who naïvely overestimated our ability to distinguish the good guys from the bad guys in post-Qaddafi Libya; to Washington bureaucrats who paid little attention to repeated warnings about the security of U.S. facilities in Benghazi; to CIA officials more concerned with career advancement and positive performance reviews than saving lives.
But perhaps the strongest indictment made by 13 Hours is an unspoken one. The film itself is an implicit but devastating critique of the American media that refused to report this story in this way, an establishment media that left to Hollywood the responsibility of telling these important truths.
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